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Choral

Salvation Belongs to Our God

John Mattheis

6:14	Est. Play Time
110	Measures
	1,870Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		18	33	2	7	88%
		23	20	7	6	88%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		18	33	2	7	88%
		23	20	7	6	88%
Bass		9	0	0	8	59%
Alto		10	0	0	7	57%
Tenor		9	0	0	6	54%
Soprano		7	0	0	5	5%
		11	0	0	6	51%
Tubular Bells		7	0	0	3	8%

The Pascal Lamb

Janet C Springer

8:14	Est. Play Time
198	Measures
	1,257Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		18	7	4	5	51%
		21	5	5	7	55%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		18	7	4	5	51%
		21	5	5	7	55%
Men		15	0	4	5	85%
		12	0	4	4	27%
Women		12	0	4	3	27%
		15	0	3	5	85%

Come Back to the Sea

gfoltz

3:42	Est. Play Time
88	Measures
	1,148Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabasses		14	3	0	6	100%
Violas		12	2	0	6	100%
View all 12 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabasses		14	3	0	6	100%
Violas		12	2	0	6	100%
Violins I		17	2	0	6	100%
Violoncellos		13	12	0	6	100%
Violins II		14	9	0	6	93%
Bassoons		11	0	0	7	80%
Oboes		15	0	0	6	80%
Flutes		9	0	0	5	65%
Clarinets in B♭		17	0	0	6	59%
Horns in F		6	0	0	4	33%
		11	0	0	4	33%
Contrabassoon		9	0	0	4	30%

Bjork - Unison

cfgstein

6:42	Est. Play Time
125	Measures
	1,745Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass		3	0	0	4	78%
Voice		11	0	1	8	72%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass		3	0	0	4	78%
Voice		11	0	1	8	72%
Celesta		4	2	1	2	70%
Synthesizer		10	0	0	4	43%
Choir		10	6	2	6	42%
		9	0	1	6	37%
Harp		12	1	1	7	42%
Strings		18	29	3	5	37%
		11	0	1	5	16%
Violin		15	9	2	4	18%

Fear Not, Mary

EmilyE23

3:47	Est. Play Time
80	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano		19	13	4	6	92%
Alto		14	17	5	6	90%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano		19	13	4	6	92%
Alto		14	17	5	6	90%
Bass		17	27	4	6	90%
Tenor		15	19	3	6	90%
A Few Sopranos		10	0	1	5	20%

Zauberspruch, Den Liebsten zu bescworen

johngoulter92

6:35	Est. Play Time
132	Measures
	1,181Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		19	27	9	7	84%
		9	0	4	5	12%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		19	27	9	7	84%
		9	0	4	5	12%
Tenor		17	17	7	7	79%
Soprano		16	17	7	6	19%
		22	24	10	8	78%
Bass		22	13	11	8	75%

Lamentación Tercera del Miércoles Santo (Third Lamentation for Holy Wednesday)

rufinb

8:28	Est. Play Time
200	Measures
	4,881Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Grand Piano		37	134	17	9	98%
		32	95	13	7	100%
View all 20 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Grand Piano		37	134	17	9	98%
		32	95	13	7	100%
Viola		25	28	10	6	95%
Violoncello		33	1	12	6	93%
Contrabass		24	0	9	6	92%
Violin 2		28	36	13	7	92%
Violin 1		37	14	16	7	91%
Bassoon		29	1	11	7	74%
B♭ Clarinet		36	0	14	8	68%
Bass		19	0	6	9	58%
Horn in E♭		15	0	4	7	57%
Oboe		26	0	12	7	56%
Alto		18	5	5	9	53%
Soprano		21	4	9	9	53%
Tenor		17	2	6	9	53%
Ophicleide or Tuba		21	0	7	6	38%
Flute		22	0	11	6	37%
E♭ Trumpet		21	0	7	5	35%
Tenor Solo		13	0	5	9	16%
Bass solo		12	0	6	8	12%

Libera Me Domine (Deliver Me, Lord)

rufinb

13:47	Est. Play Time
319	Measures
	6,080Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
1st Bass		21	1	7	8	82%
Violoncello		31	2	11	8	79%
View all 20 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
1st Bass		21	1	7	8	82%
Violoncello		31	2	11	8	79%
2nd Violin		31	34	13	9	79%
Viola		30	41	12	9	79%
1st Violin		37	12	16	9	79%
Bassoon		26	1	10	8	73%
Soprano		22	10	9	8	71%
Alto		16	3	5	9	70%
Tenor		20	9	9	9	70%
B♭ Clarinet		32	0	14	8	69%
2nd Bass		21	0	7	8	65%
Contrabass		24	0	8	6	64%
Horn in F		13	0	4	6	63%
Horn in E♭		13	0	4	5	63%
Trombone		21	0	9	5	57%
Oboe		18	0	8	6	56%
B♭ Trumpet		16	0	7	5	50%
Tuba		22	0	7	5	44%
Flute		15	0	6	6	33%
Timpani		4	0	0	5	26%

Es ist das Heil (Eingangschor) (di BSG, 1994, 2001)

BSG

8:12	Est. Play Time
83	Measures
	4,627Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo		24	80	8	6	85%
		21	0	6	6	100%
View all 13 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo		24	80	8	6	85%
		21	0	6	6	100%
CB		21	0	6	6	100%
Vcl		21	0	6	6	100%
Viola		20	0	7	7	100%
Vn 1		23	0	9	8	100%
Vn 2		20	0	6	6	100%
Flute		27	0	10	10	99%
Bass		18	0	6	6	49%
Sop		16	0	5	6	49%
Alto		16	0	5	5	48%
Ten		12	0	2	5	42%
Tenor Trombone		12	0	2	6	42%

des Prez: "Miserere, Prima Pars" (c. 1503-04)

SpaceGuru5

5:30	Est. Play Time
169	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Altus		14	0	3	6	86%
Cantus		12	0	3	6	84%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Altus		14	0	3	6	86%
Cantus		12	0	3	6	84%
Tenor 2		15	0	3	6	80%
Bassus		10	0	1	6	59%
Tenor 1		10	0	1	4	29%

Choral Fugue on "O Haupt voll Blut und Wunden" (Opus 67)

schoutens

4:34	Est. Play Time
137	Measures
	1,289Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		25	68	9	5	99%
		27	0	10	6	99%
View all 11 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		25	68	9	5	99%
		27	0	10	6	99%
Contrabass		24	1	9	5	99%
Flute		19	0	6	7	53%
Oboe		19	0	7	7	52%
Violoncello		17	0	6	7	50%
Soprano		16	0	6	6	47%
Alto		16	0	5	6	45%
Tenor		18	0	7	6	44%
Bass		18	0	7	5	36%
Voice		6	0	1	2	11%

Anthos Theme

brosenvall

4:48	Est. Play Time
69	Measures
	1,921Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass		10	1	0	6	97%
Violoncello		16	0	0	6	97%
View all 31 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass		10	1	0	6	97%
Violoncello		16	0	0	6	97%
Violin II		13	1	0	6	86%
Violin I		17	0	0	6	86%
Viola		15	2	0	8	83%
Bass		11	0	0	5	68%
Electric Guitar		14	1	0	8	62%
		19	1	1	8	67%
Soprano		12	1	1	5	67%
Tenor		12	0	0	5	66%
Alto		10	0	0	4	64%
Electric Bass		8	0	0	5	62%
		12	0	0	6	62%
Flute		14	0	0	6	48%
		14	0	0	6	45%
Oboe		12	0	0	5	29%
		13	0	0	6	35%
B♭ Trumpet		13	3	0	7	31%
Horn in F		10	0	1	5	16%
		14	0	0	6	30%
Marimba		2	0	0	1	1%
		6	0	0	3	18%
Trombone		9	0	0	5	18%
B♭ Clarinet		13	0	0	5	16%
		13	0	2	5	18%
B♭ Tuba		6	0	0	2	16%
Bassoon		8	0	0	4	14%
		7	0	0	3	13%
Glockenspiel		7	0	0	5	14%
Timpani		3	0	0	3	14%
Piccolo		14	0	0	6	12%

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